Wednesday, August 06, 2008

Why, Lord? Why?



This picture is on my server. I vaguely remember making it, but I can't remember why. I'm sure there was a good reason for it at the time. Anyone from the old days have a better memory? I think it had something to do with NYPinTA.

EDIT: Um...found it. Turns out it really was to torture NYPinTA. Sorry about that...

Wednesday, October 31, 2007

Domo Arigato, Mr. Roboto

Labor Day weekend may have been the greatest couple of days in my sad, sorry little life. Of course, then I got the hiccups for nearly five days, had to get a chest x-ray and a blood test, took prescription antacids and finally had the hiccups supplanted by constant, horrible coughing. And the pills made my crap turn black and spherical, like little bowling balls. Not to mention the constant job search, and getting turned down for a crap job AT THE MALL by people who are too stupid to use a PC. If Apple's share of the personal computer market is growing by leaps and bounds, then how come half the online applications for retail stores I tried to fill out wouldn't even let me finish because they weren't Mac-compatible? Congratulations on that five percent of the market, fellas. Keep reaching for the stars! But enough about all that. Back to Labor Day.

The awesomeness started when Brianna got back that Saturday. Oh yeah, I somehow forgot to mention that she's been in South Carolina since July 4th and the house has been heartbreakingly empty without her. Anyway, she'd been gone all summer and finally came back with Michele's sister that Saturday night. To celebrate, we went to Famous Dave's, Brianna's favorite restaurant. She got taller over the summer, and turned nine at the end of September. Man, that's depressing. It seems like just the other day she was wearing playing in my pajama pants. There's got to be a better way of saying that.



The other thing that would have been reported earlier were it not for my habit of long spells of infrequent updates is Nick and Heidi moved into the house next door to my parents. They moved in the weekend before Labor Day, and I asked my mom which day we were going to have a barbecue, because Nick might be having one, too. Somehow, this pure speculation on my part became fact, after Nick called me and said, "Did you tell your mom I was having a barbecue?" No, I said might. I saw a red grill when we were unloading the moving truck and, knowing that traditionally people have barbecues on Labor Day weekend for some reason, I thought there was a possibility that maybe they'd be doing something, and I just thought we'd coordinate. Well, whatever. My "idea" turned into a whole bunch of people coming over to Nick's place Monday, most of whom I'd never seen before or since. One of them was actually the mother of someone who was invited, but couldn't go so she sent her mom instead. Huh. I guess they're Hedie's friends. It's weird to think of her in her own world outside of our sheltered little group, I guess in the same way I can't really picture Lord Loser hanging out with his non-blog buddies, probably sitting around a campfire, eating cow placenta and talking about their beards.

Before the barbecue, I was out in the woods by the river behind my parent's house. Why? Well, you may remember a few years ago my brother found some rusty old gun barrels buried in the hill. We've also found some old bottles, most of which are worthless, but there's actually people out there that collect old bottles, and not just for the five cent deposit. One of the bottles I dug up a few years ago is an amber Warner's Safe Cure bottle which are apparently big collector's items. So I went out by the river to see if I could find any other cool stuff in the ground. Little did I know what I was about to unearth. Not anything I could sell, but something much, much better.

Long periods of no rain coupled with unseasonably warm weather left the already humble river withered down to a mere trickle. Behind my grandmother's house, sand patches that normally made up the riverbed now protruded into islands that baked in the noonday sun.





As I stood on the muddy riverbank, looking across at one such island, the clouds parted and a shimmering ray of sunlight shown down directly on possibly the greatest thing I'd ever seen. There, caked in mud and sitting atop a sand dune in the middle of the river, was what looked like...no, it can't be. Yes, it was! A Rock'em Sock'em Robot!



I knew right then that this was probably going to be the highlight of my life until I have kids. And even then it's a toss-up. I'd never owned a Rock'em Sock'em Robot set, or even had the desire to, but something about seeing that lone robot discarded in the river made my face light up. It was much bigger than I'd always pictured these things. Presumably years in the mud had stained it almost completely black, and at first I figured it was the blue one, but after cleaning it off a bit, faint traces of red were detected in the um, crotch area.



Not far from where I found the robot, I found a pretty cool squirt gun that, like the robot, had been transformed by years of gunk and filth from a goofy neon orange color to a realistic matte black. Subsequent trips further down the river revealed an ominous decapitated doll and a weathered and mangy Abu from Aladdin, both found in the woods on the other side of the river and creeped me out more than a little.

Raygunomics!





I also saw a snapping turtle chilling out in one of the few spots where the water was still deep enough to completely submerge itself. I saw him the next day sunbathing over by where the robot was. I asked it how to stop The Nothing, but it mostly just ignored me.





So anyway, finding that robot wrapped me in a swaddling cloth of confidence, as if it bestowed mystic Rock'em Sock'em powers unto me as thanks for releasing it from it's watery tomb. Everything from that point on seemed to be going my way. During the barbecue, I showed Nick and Hedie around their new home, since I practically grew up over there. My parents unlocked the upstairs apartment to show them around up there, and in one of the closets I found an abandoned Xbox game. I even uncharacteristically volunteered to go down the bulkhead into the creepy basement that seemed to be literally carved out rock and may have had some corpses down there. And later that night, we played a Madden 08 tournament and, despite a long and glorious history of losing in a spectacular fashion, I easily smoked everyone that stood in my path. It was the greatest weekend ever.

And then everything turned to crap. The robot giveth, the robot taketh away. Maybe I wasn't supposed to disturb him from his eternal slumber, and I've upset the delicate balance of something or other. Maybe it's like that cursed tiki idol from The Brady Bunch. But it's so cool. Maybe it's the ratty old Abu doll that's doing it. Yeah, that makes more sense. Evil monkey doll.

Anyway, everything's been going downhill ever since that weekend. So even the tiniest bit of good luck right now would be greatly appreciated.

Friday, August 31, 2007

I Miss Meg Ryan

It's funny, I don't really like Meg Ryan. I mean, I don't hate her. I wouldn't name a bunch of kittens after her and then drown them or anything. But I don't think I've ever said, "Ooh! A Meg Ryan movie! Let's go see it right now!" Still, I miss looking out the window and seeing Meg Ryan. The film crew were only shooting on Newbury Street Monday and Tuesday, and they've long since packed up and moved on. Now it's boring around here.

Last year, we could at least peer out the window whenever the Yankees were in town, since a lot of them stayed across the street at the Ritz. But ever since the hotel changed ownership and names to The Taj, the Yankee sightings have stopped.

Then there was that car that caught on fire in the exact same spot where Meg Ryan filmed her taxi scene just a little over a year later.

car fire

On location filming The Women


But now, now I look outside and nothing's going on. A guy just pulled up in an orange MINI convertible with black racing stripes and a number 33 on the hood and doors, but ...wait, is that Herbie the Love Bug's number? No, that's 53. So what's this guy's deal? It doesn't matter, he just drove away.

It's quiet. Too quiet. Uneventful. I haven't even seen Tricycle Man in a while.

Ode to Tricycle Man

So Meg, forget what I said before. I do like you. Heck, I need you. I need the whole crew outside to distract me from the boring crap I'm supposed to be doing. I'm sure you could do a few more takes of the taxi driving away. What to you say? For what it's worth, I liked Innerspace.

Monday, August 27, 2007

And Kathy Griffin as Olga

They're filming a movie outside my window. Not just any movie, but a Meg Ryan-Eva Mendez-Annette Bening movie, possibly the chickiest chick flick ever. It's called The Women and it's a remake/update of a comedy by the same name from 1939. The original boasted a cast comprised entirely of women, even the extras. This one seems to be taking the same approach, since the street is filled with female extras walking back and forth with shopping bags. Other than them, so far all I see are catering trucks and orange traffic cones.

catering truck


Ah, here we go. They've started filming. Are you ready for some steamy pictures of Eva Mendez? Well, she filmed her scenes yesterday and I didn't have my camera then. Yeah, sorry. But how about some grainy pictures of Meg Ryan? And also Annette Bening's calves? I know I am. Ready, I mean.

The first scene they shot today was of Meg and Annette walking towards Brooks Bros., which is at the other end of the street from where I work, so they were never facing my direction. But I got a cool shot of the boom mike guy.

Meg Ryan and Annette Bening on Newbury St.


Meg walked back to her mark with the director, but Annette disappeared forever and from then on it was all Meg Ryan, all the time.

Meg Ryan and Diane English


Just before lunch, they wrapped on that end of the street and came down to our section to shoot in front of Burberry.

Filming The Women on Newbury Street


Meg Ryan getting her makeup done


Meg Ryan on location for The Women


Meg Ryan on the phone during filming of The Women


Here's a particularly grainy one of Meg doing "The Meg Ryan Face." As you can see, it's much perkier and America's Sweathearty than The Nicolas Cage Face.

The Meg Ryan Face


And what's this? Why it's our very own Mr. Schprock, with Daughter Number Two, being pointed away from filming by a guy with an orange flag while on their way to buy DN2 a new bike. Fortunately, they were cooperative and the man's flag remained holstered in his backback. It was a close call, though.

Schprock on the set


I don't know who this random hot chick is, but she was walking around the set with the crew all day. She was standing on a mark for quite a while, but I think it's the same place Meg was standing on, so maybe she's a stand in? Or she's an up-and-coming CW star prominently featured in the movie and I'm an idiot. Whatever, I dig her Snoopy T-shirt.

Random Hot Chick on the set of The Women


On the set of The Women


Filming The Women on Newbury St


Okay, so the scene they're filming over on our end of the street is Meg Ryan trying to hail a taxi. The weird thing is, they're using three yellow taxis, but almost all of the cabs in Boston are white. First I thought, "Well taxis in movies are always yellow, so maybe they used yellow ones so people out in the sticks could easily identify the vehicle as a taxi." But when you look up close, the taxis actually have New York plates and say "N.Y.C. Taxi" on the side. That just raises even more questions. Why are they trying to pass Newbury Street off as New York? I'm sure New York would have let them film there if they asked nicely.

New York City Taxi in Boston


So I guess this scene takes place in New York, at the corner of Newbury and Arlington Streets right across from the Boston Public Garden. Isn't that where they do the Today Show? Anyway, Meg is trying to catch a cab, presumably to get to some famous Manhattan landmark, like the John Hancock Tower or Fenway Park. The first cab zips right by her. The second follows suite. But the third one, oh, hold on...

SPOILER ALERT!!!

The third one pulls up, she talks to the driver, and it drives away without her. Rude New Yorkers.

Meg Ryan filming The Women


In-between takes, Meg stood and spoke with the director. At one point, she did this weird thing where she squatted down and did like a jazz hands thing. Don't worry, that mysterious brown cloud seemingly emitting from Ms. Ryan's rear is actually just the blurred edge of the concrete wall of my building.

Meg Ryan method acting


The squatting like a crazy person thing didn't make much sense, until the third cab pulled up on the next take and she did the squatting thing next to the driver's window. "Oh, I get it, she's pleading with the driver to let her in." What I saw earlier was the creative process in action. Someone, either the actress or the director, suggested that for the next take she should be desperately pleading in front of the cab. And then they did, and the rest is movie history.

Each time they did the scene, the three taxis had to be returned to their positions by driving backwards down the street, and all the extras had to get back to their marks. There was a bunch of pink tape strips on the sidewalk to indicate that's where people stand, or where the taxi stops. They did four takes of the taxi scene and then packed everything up.

Well, even though it's not a movie I'd ever see on purpose, it was still cool to get a first hand view of the process. And if the squat scene makes it into the final film, I can always say I actually witnessed it's inception. And I will always say it. Incessantly, in front of anyone I know for the rest of my life.